However, upon further investigation, and taking into account all of Deren’s viewpoints such as the controlled accident, manipulation of time and space, and different editing techniques, the themes became much more clear. After one screening, it was very difficult to understand what the main objectives were in either film. Both of her films are not as much narrative pieces, as they are expressions of art. Maya Cinemas Delano Maya 401 Woollomes Avenue, Delano, CA location and contact info Advertisement group by movie group by time sort by title by value weeks To buy tickets, click on showtimes. It is clear that Deren is not concerned with showing the world everyday reality. She elaborates that this ability defines film as its own art form, different from any other medium. In Meshes of the Afternoon, she combined reality with a layer of cinematic illusions allowing the audience the ability to jump back and fourth between what is real and what is falsified. These rooms can be opened by just simply asking one of our helpful staff members. We also have a special room called the 'Crying Rooms' in which are sound proof rooms for those families that want to enjoy a movie with thier children with out disturbing the other patrons. In her experimental films, Meshes of the Afternoon and At Land, the manipulation of space and time is very evident and profound. Specialties: We have 3 of the largest size screens in Monterey county. She goes on to say that a major portion of the creative action occurs through the manipulation of time and space in both pre production and postproduction. Through the use of properties such as slow motion, negative images and disjunctive editing, an alternate reality is formed. The recognition of a known reality plus the reality of the image itself creates a reality that is derived from a situation that is not fully controllable. One of her main points in the article describes the art of the controlled accident. While some of the authors we’ve previously discussed believed art replicated reality and others believed it replaced it entirely, Deren’s mindset is plotted directly in-between these two opposing perspectives. For those unable to attend, video from these events will be available online on Film at Lincoln Center’s YouTube channel at a later date.Maya Deren was a renowned experimental filmmaker who believed the main objective of art was to create new realities to add onto the already accepted ones. Tickets are limited to one per person, subject to availability. Bring your own stories of missing movies to the workshop-our expert guests will teach you how you can join the effort to track them down!įree tickets for NYFF60 Talks will be distributed on a first-come, first-served basis beginning one hour prior to each event at the corresponding box office. We are pleased to welcome Missing Movies board members and advisors Amy Heller, Dennis Doros, Nancy Savoca, Rich Guay, Ira Deutchman, and Maya Cade to NYFF60 for a special presentation and workshop aimed at empowering the filmmaking community with the tools to liberate lost films and to ensure that the cinema of the present avoids the same fate. To address these lacunae-which can powerfully shape what we know and regard as the cinematic canon- a group of filmmakers, distributors, archivists, and lawyers have founded the organization Missing Movies. Have you ever sought out a movie you once saw and loved, and discovered that there is no longer any way to watch it? Movies go “missing” all the time, whether due to lapses in preservation and archiving, complexities of copyright and distribution, or technological obsolescence.
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